by Flack » Sun Aug 08, 2021 9:28 pm
In one of the film's most depressing scenes, Val Kilmer, Hollywood star Val Kilmer leans over to his manager and says, "I'd like to take a break." His words are subtitled; after his double-tracheotomy, his speech is difficult to understand. A wave of disappointment washes over his manager's face. At least a hundred men in their 40s and 50s in line at Comic-Con holding Batman toys and Top Gun posters, waiting to have them signed. After half a dozen more signatures ("Could you write 'You can be my wingman any time' and then write Iceman?"), Kilmer is moved to a couch behind a screen where he proceeds to vomit.
Val Kilmer grew up in California with his parents and two brothers, with whom he made dozens and dozens of 8mm and 16mm films -- some originals, some remakes, some parodies. While Kilmer's brother Wesley was more into directing their backyard films, it was Val who emerged as the actor. Val Kilmer was the youngest actor ever accepted into Julliard. He dreamed of performing Hamlet on the stage and working on Broadway.
But before he made it to the stage, Hollywood found him and put him in front of the camera. His jaw, blue eyes and puffy lips sold tickets. The year after making his debut in the spy parody Top Secret! (1984), he played young genius Chris Knight in 1985's Real Genius. The following year he played one of the roles that would define his career: Iceman, in 1986's Top Gun.
To hear Kilmer's version, he didn't much want any of it. According to him, he wanted to turn down the role of Iceman, but was contractually obligated to appear in the film. Kilmer, a method actor, sunk himself into the role by giving his character a complete backstory and creating a rivalry with Tom Cruise in real life on the set. A ew years later while performing in Tombstone, Kilmer demanded the art department fill the bed his dying character was laying in with ice to make it as uncomfortable for him as possible.
Modern clips of Kilmer are intertwined with home movies culled from his thousands of video tapes he recorded throughout the years. "I was the first person I knew with a video camera," Kilmer says, and one has to wonder if a day went by that he didn't film himself or the people around him. When he heard about the upcoming Full Metal Jacket, Kilmer donned military fatigues and made his own movie clips, sending them in as an unsolicited audition tape. (He didn't get the part.) He had better success a few years later when he did the same thing and landed the leading role in The Doors.
It's not until the film reaches Kilmer's behind the scenes footage from The Island of Dr. Moreau that one has to wonder just how reliable Kilmer's point of view is. While fighting with the director, Kilmer is asked to put down his video camera and rehearse a scene. The director seems less angry and more exhausted. What doesn't appear in the film is Kilmer's behavior on the set, which was well documented. One cameraman accused Kilmer of intentionally burning him in the face with a cigarette. Production was shut down for a day when Kilmer and leading man Marlon Brando had a stand-off over which one would leave their trailer first. Filming conditions on The Island of Dr. Moreau were so legendarily bad that they made a documentary about it (Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau ). Having seen that, the footage presented in Val seems (at best) to be one-sided.
As does the story of Kilmer's divorce. Minutes after admitting he wore the same pair of leather pants for almost a year while preparing for his role as Jim Morrison, Kilmer shares footage of what appears to be an argument over visitation rights regarding his children after he and his wife separated. There's not a minute of footage in Val that makes it seem Mr. Kilmer would be an easy person to live with.
Val Kilmer's brother Wesley, his early-in-life filmmaking partner, had an epileptic seizure and drowned in the family's hot tub at the age of 15. He has also lost both of his parents, and his entire life's savings (twice). The ultimate irony is that while Kilmer was preparing for the role he felt he was born to perform, a traveling stage version of Mark Twain, he was stricken with throat cancer which robbed him of his voice and almost his life. The majority of the film is narrated by Kilmer's son, who sounds eerily like his father.
Today, Val Kilmer travels to conventions signing Batman toys and Top Gun posters when he feels up to it. When he's not traveling, he's opened an artist space where people can create and display their art.
Val is an interesting story, but it's hard not to wonder whether we're seeing the real man, or another one of his many roles.
[media]https://www.youtube.com/watch?v=YqNnhgEyQCU[/media]
In one of the film's most depressing scenes, Val Kilmer, Hollywood star Val Kilmer leans over to his manager and says, "I'd like to take a break." His words are subtitled; after his double-tracheotomy, his speech is difficult to understand. A wave of disappointment washes over his manager's face. At least a hundred men in their 40s and 50s in line at Comic-Con holding Batman toys and Top Gun posters, waiting to have them signed. After half a dozen more signatures ("Could you write 'You can be my wingman any time' and then write Iceman?"), Kilmer is moved to a couch behind a screen where he proceeds to vomit.
Val Kilmer grew up in California with his parents and two brothers, with whom he made dozens and dozens of 8mm and 16mm films -- some originals, some remakes, some parodies. While Kilmer's brother Wesley was more into directing their backyard films, it was Val who emerged as the actor. Val Kilmer was the youngest actor ever accepted into Julliard. He dreamed of performing Hamlet on the stage and working on Broadway.
But before he made it to the stage, Hollywood found him and put him in front of the camera. His jaw, blue eyes and puffy lips sold tickets. The year after making his debut in the spy parody [i]Top Secret![/i] (1984), he played young genius Chris Knight in 1985's [i]Real Genius[/i]. The following year he played one of the roles that would define his career: Iceman, in 1986's [i]Top Gun[/i].
To hear Kilmer's version, he didn't much want any of it. According to him, he wanted to turn down the role of Iceman, but was contractually obligated to appear in the film. Kilmer, a method actor, sunk himself into the role by giving his character a complete backstory and creating a rivalry with Tom Cruise in real life on the set. A ew years later while performing in [i]Tombstone[/i], Kilmer demanded the art department fill the bed his dying character was laying in with ice to make it as uncomfortable for him as possible.
Modern clips of Kilmer are intertwined with home movies culled from his thousands of video tapes he recorded throughout the years. "I was the first person I knew with a video camera," Kilmer says, and one has to wonder if a day went by that he didn't film himself or the people around him. When he heard about the upcoming [i]Full Metal Jacket[/i], Kilmer donned military fatigues and made his own movie clips, sending them in as an unsolicited audition tape. (He didn't get the part.) He had better success a few years later when he did the same thing and landed the leading role in [i]The Doors[/i].
It's not until the film reaches Kilmer's behind the scenes footage from [i]The Island of Dr. Moreau[/i] that one has to wonder just how reliable Kilmer's point of view is. While fighting with the director, Kilmer is asked to put down his video camera and rehearse a scene. The director seems less angry and more exhausted. What doesn't appear in the film is Kilmer's behavior on the set, which was well documented. One cameraman accused Kilmer of intentionally burning him in the face with a cigarette. Production was shut down for a day when Kilmer and leading man Marlon Brando had a stand-off over which one would leave their trailer first. Filming conditions on [i]The Island of Dr. Moreau[/i] were so legendarily bad that they made a documentary about it ([i]Lost Soul: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau [/i]). Having seen that, the footage presented in [i]Val[/i] seems (at best) to be one-sided.
As does the story of Kilmer's divorce. Minutes after admitting he wore the same pair of leather pants for almost a year while preparing for his role as Jim Morrison, Kilmer shares footage of what appears to be an argument over visitation rights regarding his children after he and his wife separated. There's not a minute of footage in [i]Val[/i] that makes it seem Mr. Kilmer would be an easy person to live with.
Val Kilmer's brother Wesley, his early-in-life filmmaking partner, had an epileptic seizure and drowned in the family's hot tub at the age of 15. He has also lost both of his parents, and his entire life's savings (twice). The ultimate irony is that while Kilmer was preparing for the role he felt he was born to perform, a traveling stage version of Mark Twain, he was stricken with throat cancer which robbed him of his voice and almost his life. The majority of the film is narrated by Kilmer's son, who sounds eerily like his father.
Today, Val Kilmer travels to conventions signing Batman toys and Top Gun posters when he feels up to it. When he's not traveling, he's opened an artist space where people can create and display their art.
[i]Val[/i] is an interesting story, but it's hard not to wonder whether we're seeing the real man, or another one of his many roles.