Xenocide
Moderators: AArdvark, Ice Cream Jonsey
:: How you like me now?
Sorry ben, I dont know why you think your galaga score would make us like you any better. I think your going through a lot of different methods to try to make people like you better, when in fact you seemed pretty likeable all along, without all this video game stuff, and whatever.
Maybe you just need to relax??
Sorry ben, I dont know why you think your galaga score would make us like you any better. I think your going through a lot of different methods to try to make people like you better, when in fact you seemed pretty likeable all along, without all this video game stuff, and whatever.
Maybe you just need to relax??
- Ice Cream Jonsey
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- Ice Cream Jonsey
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By the way, who's with me that Galaga has possibly the best music ever to come out of the "golden age" of arcade games? To wit:
1. The "Perfect!" tune (as Bruce can attest to) is monumentally satisfying.
2. The "Fighter Captured" music is *incredibly* complex, and made only more impressive by the fact that the "Fighter Recovered" music is exactly the same, except redone in a major, vs. minor key. The minor version is tense (reflecting the state of mind of a space army that just got a fighter captured), and the major version is triumphant. In fact, I had a guy ask me about what the difference was between a major and a minor chord, or key. I think Galaga is a nearly perfect example about how those two concepts affect music, and the person listening to them.
This from a fucking WUMPUS game, fer chrissakes.
1. The "Perfect!" tune (as Bruce can attest to) is monumentally satisfying.
2. The "Fighter Captured" music is *incredibly* complex, and made only more impressive by the fact that the "Fighter Recovered" music is exactly the same, except redone in a major, vs. minor key. The minor version is tense (reflecting the state of mind of a space army that just got a fighter captured), and the major version is triumphant. In fact, I had a guy ask me about what the difference was between a major and a minor chord, or key. I think Galaga is a nearly perfect example about how those two concepts affect music, and the person listening to them.
This from a fucking WUMPUS game, fer chrissakes.
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I gotta go with the electro-pop stereo version of Tocatta and Fugue in D Minor that fuels <i>Gyruss</i> (with that booming bass track, too....OH yeah), but I'll give Galaga second place.Ben wrote:By the way, who's with me that Galaga has possibly the best music ever to come out of the "golden age" of arcade games?
#1 is certainly true. I can't make my head play the fighter captured music, so.....Ben wrote: To wit:
1. The "Perfect!" tune (as Bruce can attest to) is monumentally satisfying.
2. The "Fighter Captured" music is *incredibly* complex, and made only more impressive by the fact that the "Fighter Recovered" music is exactly the same, except redone in a major, vs. minor key. The minor version is tense (reflecting the state of mind of a space army that just got a fighter captured), and the major version is triumphant. In fact, I had a guy ask me about what the difference was between a major and a minor chord, or key. I think Galaga is a nearly perfect example about how those two concepts affect music, and the person listening to them.
This from a fucking WUMPUS game, fer chrissakes.
God damn, you're right. That's really cool.
Bruce
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You are all too old to have been "there" when it was fresh, but the music for the Amiga space-simulation Awesome was, well... Awesome. Seriously. There was also a side-scrolling shooter on that platform called "Pegasus" which I only had the demo of, Christ, I've never had a game that I could just pause and rock out to since then. Remembering those images makes me tingle - you know how things don't look quite the same when you're a kid. Maybe because your brain hasn't finished re-wiring itself into adulthood yet, but that was adtounding. There was some real deep shit on that platform, and the music was absolutly incredible. I remember recently playing the PC version of the Bitmap Brothers classic "Gods", and being seriously dissapointed at the terrible music quality when compared to the ("Real Human Speach!") "Into... the Wonderful." of the Amiga. Likewise for that wonderful intro music from Magic Pockets; the Amiga version of any classic will always shine besides its bastard brothers.
Oh christ, I really miss my Amiga.
Oh christ, I really miss my Amiga.
WHOOA!
- Ice Cream Jonsey
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- Ice Cream Jonsey
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