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Moderators: AArdvark, Ice Cream Jonsey
I gotta go with the electro-pop stereo version of Tocatta and Fugue in D Minor that fuels <i>Gyruss</i> (with that booming bass track, too....OH yeah), but I'll give Galaga second place.Ben wrote:By the way, who's with me that Galaga has possibly the best music ever to come out of the "golden age" of arcade games?
#1 is certainly true. I can't make my head play the fighter captured music, so.....Ben wrote: To wit:
1. The "Perfect!" tune (as Bruce can attest to) is monumentally satisfying.
2. The "Fighter Captured" music is *incredibly* complex, and made only more impressive by the fact that the "Fighter Recovered" music is exactly the same, except redone in a major, vs. minor key. The minor version is tense (reflecting the state of mind of a space army that just got a fighter captured), and the major version is triumphant. In fact, I had a guy ask me about what the difference was between a major and a minor chord, or key. I think Galaga is a nearly perfect example about how those two concepts affect music, and the person listening to them.
This from a fucking WUMPUS game, fer chrissakes.